Anja Stenina Knows What You Mean: An Interview

By Jeremy Gluck for GS Artists

You Know What I Mean Photograph by Hywel Edwards

Anja Stenina‘s show ‘You Know What I Mean‘, appealing to the intellect but also evading it, is apparently cerebral. Posing many questions beyond its name, the show embodies a fundamental challenge: You Know What You Are? The latest expression of a body of work that is as engaging as it is deceptively elusive, its theatrical and performance elements are grounded in an earthy and even sometimes matriarchal matrix, feeding back life, love and an arch wisdom and insight into the human condition.

Stenina’s work, by turns literate, literal and articulated in popular tropes, in this case is cast in a low, blue light to emphasise its marine themes, and employing the renowned sea shanty, What Do We Do With a Drunken Sailor, as a platform for undermining and investigating assumptive perspectives. You Know What I Mean is, literally and figuratively, a delightful, compassionate and enlightened collision of ideas, light and Jungian shadows.

Anja, interviewed here, supplies context to what is a growing body of work deserving reflection.

GS Artists: Question one: What is question zero?

Anja Stenina: ‘What should we do with a drunken sailor?’ questioning the influence of the authority of collective judgement. The fundamental conceptual question is: how in control are you? It is a progression of my work in a wider sense that explores our relationship with society. That traces back to my BA Degree exhibition in 2016 ‘Are you in control?’, where I explored how power structures manipulate us quite blatantly just below the superficial skin of our everyday lives. In the installation I would draw out the stage directions to life on the floor, but using invisible ink which could then be discovered, piece by piece, by the audience using black light torches. I also wanted to present the physical metaphor of the whole process – that the audience is surrendering themselves to my authority when they come in, yet they are still entirely in control of their lives – they always have a choice – they can turn the torch off at any point, or simply choose to stop following the instructions.

The revision within the Drunken Sailor song is an exploration between different standpoints. It specifically raises questions of judgement and morality, how opinions are arrived at and how often do people actually consider where their opinions are coming from. The idea connects to Barthes’ idea of the encratic language of authority and to what goes without saying.

I employ a dialectical approach to create a reflective environment for the observation of shifts of perspective. I’m not passing judgement; I am just creating a space for the unpacking of ideas, locating elements of control.

You Know What I MeanPhotograph by Tomos Sparnon

GS Artists: What are the chief elements of control?

Anja Stenina: Fashion and style. The style of social protocols and social rituals that are dictated by the dominant culture. With the metaphysical personifications of the Ages of Aquarius and Pisces, I am presenting two fashions, two standpoints. The viewer, therefore, is free to try on each of the ideological perspectives. My show is, basically, a changing room.

You Know What I Mean by Hywel Edwards

GS Artists: And in that room, what changes?

Anja Stenina: Who knows? It’s a private space.

I would only hope that the fitting helps one to engage critically with the dynamic between opposing standpoints and that the naturalness/comfiness of a certain garment aka certain established social construction is reflected back to the visitor and perhaps the dominance of one style is questioned by the alterations of the new style. Dominant trends/positions can be switched to more transgressive standpoints. I’ve presented opposing cultural constructions for the individual to try on and I hope that, as with the dressing room mirrors, the reflective experience of the self ‘wearing’ the different forms can influence one’s value judgments.

My work creates a potential space for change, it is the viewer’s reflections in the dressing room that complete it.

GS Artists: What is this “self”?

Anja Stenina: The knower; the chooser of the outfits; the one that catches the reflection.

GS Artists: In the simplest language, starved of any elaboration, what is your practice and what is your art? Is it necessary?

Anja Stenina: I am a poststructuralist and semiotician in my process and I am a conceptual mixed media installation artist. I work with elements of morality. Is morality necessary? Necessity is a question for the critics.

Rhythm: The Day GS Turned Dayglo!

Rhythm installation

Please join us at GS Artists on Friday January 10th at 6 pm for the opening of our next Artist at Work project. Rhythm, a solo art show by local Swansea based artist and GS intern ‘Fraser’, explores the comfort of familiarity and altered memory. Depicting universally recognised forums and disrupting the familiar via syncopated rhythms of light and sound, utilising the inherent, faint, buzz of her contemporary medium.

The show includes LED installations, box television sculpture, video, mixed media sculptures adopting everyday commonplace materials, and UV sensitive drawings.

The show continues until January 17th. Open 12-4pm everyday except Sunday.

🚨 WARNING – SHOW CONTAINS BRIGHT LIGHTS & FLASHING IMAGES & STRONG MAGNETS

Abigail Fraser

Abigail Fraser is a twenty-year-old Welsh artist, currently studying a Bachelor’s Degree in Fine Art at UWTSD Swansea. Fraser’s artwork is an unreliable, dreamy, psychedelic exploration of memories appertaining to previous events. Her mixed media sculptures and installations evoke a response to light on the senses, projecting a sense of self and an inquisition of reality. Frasers’ work often contains simple LED drawings of universal forms, exploring how the energy of light permanently surrounds us all in a very personal manner. Endeavoring to harness this energy and penetrate our mass consciousness through her artwork, Fraser portrays a seemingly infinite space within the gallery interpreting the inherent attraction to light and being human. In September of 2019 Fraser worked as Artist in Residence at The University of Rio Grande, Ohio.

Tomos Sparnon

Tomos Sparnon – Artist at Work

Next up at GS Artists, is our very own Director Tomos Sparnon, the next Artist at Work for a short residency.

He says “I am really looking forward to making new artwork in GS Artists Swansea over the coming weeks.

I wish to experiment with materials and play with ideas that have been on my mind recently. In particular, I want to consider the possibilities of turning a small sketch in my sketchbook into 3D.

I am excited about using the gallery space as a studio and about creating work in a different location. I do not know what the end result will be or whether there will be a ‘finished’ work, but this I find inspiring”

Tomos Sparnon Welsh Conversationals